Reflections

An illustration of a person with a shaved head looking through a jail cell window at another person standing outside on a barren landscape. Overlaid Japanese text and a note in the corner mention trouble-makers among 400 alien enemies sent to an internment camp on June 24, 1945, inside a project jail.
A quote on torn parchment paper with burnt edges, reading: "The iron door is closed the guards have all gone-moths dance around the light" by Itaru Ina.

Caged Sky by glenn mitsui

This extraordinary film breaks new ground by reconstructing the story of the lay-down strike at the Tule Lake Jail in the waning days of the Segregation Center in 1945. The pieces were always there in front of us, in the violence of the Robert Ross photos and the testimonies from the period, but by lining them up in sequence using the dates and captions on the backs of the photos, filmmaker Emiko Omori and writer Barbara Takei unlock the dramatic story of resistance at Tule Lake and of a people who were indeed Defiant to the Last. It is a remarkable act of historical recovery.

a horizontal strip of barbed wire against a black background

— Frank Abe, lead author, We Hereby Refuse: Japanese American Resistance to Wartime Incarceration

My heart is heavy and...strangely free. Feels like caged butterflies fluttering round and round...finally escaped...You've created an amazing, healing film that will change people's lives.

— Satsuki Ina, PhD - Psychotherapist, Writer, Filmmaker, Activist

DEFIANT TO THE LAST is the stupendously powerful sequel to RABBIT IN THE MOON and Frank Abe’s similar documentary that finally challenged the JACL’s obsequious “master narrative“ that suppressed the brutal facts and dominated the myths, official euphemisms, and lies about the reality that Nikkei were political prisoners in U.S. concentration camps in World War II—and today again. Déjà vu! I...was blown away by its bold and powerful message.

Close-up of a barbed wire fence.

The lesson in Emiko Omori’s Defiant to the Last is that our American democratic rights are dangerously fragile. The film excavates the poorly known history of the “troublemakers and disloyals” – the nearly 5,500 Americans of Japanese descent who renounced their citizenship to protest the U.S. government’s racist act of herding 120,000 Japanese Americans into concentration camps during World War II. Omori resurrects this story through an extraordinary series of black & white, archival photographs of the renunciants at the Tule Lake Segregation Center and the testimony of Satsuki Ina, who was a baby in the camp and whose father was among those who sacrificed citizenship for principle. Adding on to our troubles, Omori catapults us to the present, drawing stark parallels to the Trump Administration’s harsh treatment of immigrants, family separation policies, and bellicose threats to strip people of their citizenship. In joining anti-Trump protests at Fort Sill in Texas, Ina and other Japanese American camp survivors demonstrate the power and necessity to remain defiant to the last, lest history repeat itself.

Barbed wire fence.

— Donald Teruo Hata, PhD - Emeritus Professor of History, California State University, Dominguez Hills

— Jon Funabiki - Journalist,